Our name is derived from the highway exit where Sam, Jeremy and Adam all grew up. A small town just outside of Detroit, MI.
Click here to see our youth basketball photo.
It was back in ’07 that we made the humble decision to take our talents to production, thus leaving the basketball world behind. This was completely by choice and definitely not based on our lack of height, skill or athleticism.
What we need to improve
Learning all of the lyrics to Lou Bega’s Mambo Numba 5 so we can be cooler on Karaoke Tuesday
What we do best
CREATIVE: Curate ideas suited to your brand / audience identity
PRODUCTION: Execute those ideas to bring life to concepts both big and small
POST-PRODUCTION: Add all the fun details to make your viewers hit rewind and then “share”
Principals
It came down to professional headshots or skydiving. We stand by our decision.
Sam Silverstein
Founder // Director
Biggest Fear:
Falling madly in love with someone who doesn’t love him back, watching her waste her life away with a man who is taller, wealthier, far more handsome yet far less suited for her love. Going to sleep every night wondering what could have been.
Jeremy Paczos
Founder // Director
Biggest Fear:
Spiders
Adam Edery
Head of Production
Biggest Fear:
Skydiving
The Exit 14 team has it all. They're fun & personable, professional and talented. They can lead or follow on the creative vision -- we've done some of both with them over the years, working together on different commercials, and we're always happy with the outcome.
Uqora
Jenna Ryan, Founder
I've been doing marketing for over 20yrs and have been completely blown away by the concepts, quality of production, speed, and most importantly the performance of the creatives Exit 14 produces.
Facet Wealth
Jimmy Ellis, Sr. Director of Growth Marketing
It’s always a pleasure working with Exit 14. They have great creative and production capabilities, with a keen eye for detail and service.
Planet Propaganda
Max Franklin, Senior Art Director
What make us different? Speed.
We haven’t been around long enough to be jaded by the industry. We’re still enthusiastic about the late nights that turn to early mornings, the scrappy budgets with great creative and the idea of being available 24/7. We sleep in shifts to guarantee the last one. Overkill? Probably.
In 10 years, we fully intend to be grumpy, hard to work with and not taking calls for less than 100 million dollars.